ISC Class 11 Art Syllabus 2025-2026: Download PDFs Here!

ISC Class 11 Art Subject Syllabus 2025-26:Teachers and students can access the most recent Art Subject Syllabus in PDF format from this page, which also includes marking criteria and the subject code. Continue reading to find out more about the whole Art Curriculum. 

Apeksha Agarwal
Jun 3, 2025, 12:23 IST
ISC Class 11 Art Syllabus 2025-2026: Download Art Syllabus PDFs Here!
ISC Class 11 Art Syllabus 2025-2026: Download Art Syllabus PDFs Here!

ISC Syllabus Class 11 Art 2025-26: The CISCE Board just released its 2025–2026 curriculum 11th class. The syllabus for Art (Subject Code 871) is the same, and students can view their comprehensive ISC Class 11 Art 2025–2026 syllabus in the table that is attached below. Students can find the entire list of chapters, units, and topics that will be taught in the academic year 2025–2026 as part of the syllabus, which also includes the course structure, suggested project work, evaluation criteria, and much more.

The Council for the Indian School Certificate Examinations, or CISCE, offers art as one of its elective subject. The purpose of this course is to assist students in discovering their hidden artists. This discipline has a wide range of applications, thus the topic is a fantastic place to start. With subject code 871, the ISC Art syllabus 2025–2026 is the same for Classes 11 and 12. The syllabus for both classes is contained in a single PDF file. Learn more about the syllabus by reading it and downloading the PDF.

ISC Syllabus Class 11 Art 2025-26:  Aims

  1. To encourage creative expression in and through Art.
  2. To develop the powers of aesthetic appreciation.
  3. To develop an artistic attitude and values through the study of art.
  4. To develop an interest in the world of art.

Note: Candidates will be required to take three papers, of 100 Marks each, including at least one paper from Section A and at least one paper from Section B.

ISC Class 11 Art Syllabus 2025-26

Check the CISCE Board Class 11th Art Syllabus 2025-2026 below along with specific mentions of topics and chapters to be covered for the exam. 

SECTION A

Paper 1: (3 hours), Drawing or Painting from Still Life

A group of objects which will be artificial and natural and may include such things as cut flowers, fruits, vegetables, a growing plant, as well as domestic or other artificial objects; the group may be drawn or painted. The work can be carried out, if the candidate wishes, in relation to the surroundings of the part of the room in which the group is placed. If the group is painted, the background must be included.

 

Paper 2: (3 hours), Drawing or Painting from Nature

This paper is divided into two separate sections. Candidates may offer either A or B. In both sections, the subject may be interpreted freely, either in a decorative or in a realistic manner.

A. Study of the structure of natural forms such as a spray or branch, which may include flowers; foliage or fruit; fossils, bones, etc. Candidates are expected to reveal their appreciation of natural growth or structure by means of drawing or painting.

B. A subject will be set for drawing or painting outdoors. There should be evidence of direct study from nature.

 

Paper 3: (3 hours), Drawing or Painting of a Living Person

Two alternatives will be given. In alternative (A) the model (who may be a boy, girl, man or woman) is to be placed in an attitude which will be described. The whole figure must be drawn, together with any necessary artificial or natural objects. If the subject is painted, the model must be seen against a suitable background. Clothing should be simple and the limbs exposed as much as possible.

Alternative (B) will be mainly a study of the head but may include the arms and hands. Instructions for each examination will be given. Candidates should be placed closer to the model than for Alternative (A).

SECTION B

Paper 4: (3 hours), Original Imaginative Composition in Colour

A paper containing a list of alternative subjects will be given to candidates one week before the examination. The actual composition will be executed in the examination room after a period of not less than seven days from the distribution of the paper to the candidates; sketches, or other notes must not be taken into the examination room. Since this is a test of original work, it would be inappropriate for any form of guidance to be given to candidates other than that printed on the question paper. A variety of themes will be set; these may be given in the form of titles indicating the subjects, or of specified objects for inclusion in a composition, or in any other form that will stimulate the imagination. Candidates should base their work if possible on scenes that they have themselves observed. Any style, or technique, including that which is traditional in the candidates' own area, may be used.

Paper 5: (3 hours), Crafts ‘A’

Candidates will be required to answer any one question. The object of this paper is to test the ability of candidates in craftwork where the material is restricted to flat paper, ink and/or colour.

Paper 6: Crafts ‘B’

This Paper is restricted to school candidates. The candidates must submit at least one and not more than two examples of Craftwork, which they have executed during the school year in any one craft from the following eight categories. Further evidence of study in the form of working drawings, small notebook or photographs may also be submitted.

Each candidate must confine his entry to ONE craft.

The work submitted must be the unaided work of the candidate. It must be accompanied by a statement from the Principal of the school to this effect.

ISC Class 11 Arts Syllabus 2025-26: General Information

  1. Any medium may be used provided that it is suitable for the subject. Painted work must be carried out in a quick-drying medium and must be completely dry before it is dispatched. When acrylic paint is used for examination work, it must be mixed with water. All paints used must be of adequate quality: if coloured crayons or chalk are used, they must have a range and quality comparable with that of paints and mustbe carefully fixed at the examination centre before the work is sent to CISCE. Monochrome may be used where permitted by the regulations for each Paper but will not be accepted as satisfying the requirement in respect of colour for Paper 4.
  2. Candidates must use their judgment with regard to (i) the size of a drawing or painting, (ii) the proportion of height to width within the space available. In all cases credit will be given for good composition.
  3. In each of Papers 1 to 4, the test is one of free drawing or painting, therefore, any mechanical means of execution of the drawing or painting, (such as measuring or ruling) are not allowed. Instruments and tracing paper are allowed for Paper 5, but candidates are advised to restrict their use as far as possible.
  4. Where question or printed instructions are provided for alternative groups, etc., the Supervising Examiner in consultation with an Art Teacher will decide which of these alternatives is to form the subject of the examination, after taking account of local convenience, etc. At centres for candidates from more than one school, both the alternative subjects in Paper 2 (Plant Drawing) must be provided if they are required by schools or candidates.
  5. Suitable alternative subjects will be provided for the different areas, so far as this may appear desirable; account will be taken of different climatic conditions in the selection of flower specimens, etc.
  6. The paper supplied for use in the examination room will be about 35 cm x 25 cm. Schools or candidates wishing to work on a larger scale, not larger than Half Imperial or Royal (64 cm x 51 cm) or on a different type or tone of paper, will be at liberty to provide their own. Work which is carried out on stiff boards or which is mounted cannot be accepted. The paper used by candidates must not be less than 35 cm x 25 cm and the work submitted must fill or approximately fill the page.
  7. All drawings must be packed flat and not rolled: Half-Imperial and Royal sheets should be folded across the middle. When drawings are too large to enclose in the envelopes provided, it is essential that the information required on the front of the envelope be given and that the envelope itself be packed in the same parcel with the drawings.
  8. Examiners are caused great inconvenience by candidates failing to write their examination numbers either clearly or correctly, thus making identification difficult. Schools are asked to cooperate by directing the candidates to clearly write their Unique Identification Number (UID Number) and Index Number both, clearly and correctly on their examination work and that on drawings and paintings this must be written on the front (top right hand corner) and also on the back. They must not write anything else on the front of the picture. Failure to observe this instruction may result in loss of marks.
Apeksha Agarwal
Apeksha Agarwal

Content Writer

    Apeksha Agarwal, a passionate and aspiring journalist, is dedicated to delivering impactful stories and insightful reports. As an education beat writer, she focuses on providing well-researched and engaging news content. Apeksha's strong foundation in journalism and media is complemented by her creativity, dedication, and attention to detail. Her goal is to inform and inspire audiences through meaningful narratives while continuously adapting to the ever-changing media landscape. She can be reached at apeksha.agarwal@jagrannewmedia.com.

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