CBSE Class 12 Fine Arts Syllabus 2011

Mar 17, 2011, 16:57 IST

This is the CBSE Class 12 Fine Arts syllabus 2011. View the complete syllabus of CBSE Class 12 Fine Arts here 2011

FINE ARTS

Class XII

A student may offer anyone of the following courses:

(a) Painting (Code No. 049)

OR

(b) Graphics (Code No. 050)

OR

(c) Sculpture (Code No. 051)

OR

(d) Applied Art-Commercial Art (Code No. 052)

The following art terminologies for all the four subjects are prescribed only for reference and
general enrichment.

 

1. Elements of Composition : Point, line, form, colour, tone, texture and space.
2. Principles of Composition : Unity, harmony, balance, rhythm, emphasis and
proportion, abstraction and stylisation.
3. Drawing & Painting : Foreshortening, perspective, eye- level, fixed
point of view, Vanishing point, ratio-proportion,
sketching, proportion sketching, drawing, light
& shade, painting from still-life, land- scape,
anatomy, vertical, horizontal, two & three
dimensional, transparent & opaque.
Materials : Paper (Cartridge, Handmade etc.), pencil,
water, acrylic colours, tempera colours, poster
colours, pastel colours, waterproof ink, canvas
and hard-board.
4. Media of Composition : Collage, Mosaic, Painting, Mural, Fresco, Batik
Tie & Dye.
5. Sculpture : Relief and round sculpture, modelling with clay,
terra-cotta, carving in wood, stone, bronze
casting, Plaster of Paris and metal welding.
6. Graphics : Linocut, relief printing, etching, Lithography, Silk
screen printing letter press and offset printing.
7. Applied Art :
Book cover design and illustration, cartoo,
poster, advertisements for newspaper and
magazine animation and printage processes.,
photography, computer graphic, hoarding
   

8. Portfolio Assessment Method
Introduction : The Art Portfolio will consist of a compilation of all art work, from sketch to finished
product. The submission would include both the original and improved versions of assigned tasks
reflective of gradual improvement. Step by step development of the work will be assessed in all units.

Components of a Portfolio :
• Schedule of work
• Research Skills
• Resources and materials
• Connections with artists / art movements
• Art making skills
• Personal artist statement
• Studies (e. g. composition/techniques-medium)
• Picture of the final work (Reflective skills)
• Evaluation of final work (affective skills)
• any kind of personalized notes relation to art

Profile of Learners Growth

Values and Attitudes Rubric

The learner develops the ability to :
• Respect, appreciate and demonstrate an open mind towards the artistic expression of others
• Appears enthusiastic and willing to study artistic expressions from other cultures or regions of
the world that are very different from own.
• Accept different forms and styles and tries to explore their meaning.
• Be sensitive towards other`s creations
• Be ready to research and transfer his/her learning to his / her own art
• Take initiative
• Be responsible for his/her own learning and progress
• Apply theoretical knowledge in practical contexts
• Possess information and communication technology skills
• Be resourceful and organize information effectively
• Listen effectively

PORTFOLIO ASSESSMENT FOR FINE ARTS MAY BE DONE ON THE BASIS OF
FOLLOWING CRITERIA

Creativity

Candidates are required to produce evidence that demonstrates a creative approach to problemsolving.
Evidence should also include the ability to interpret a given brief and original approaches to
producing a solution. Sketchbooks, notebooks and relevant support material should form part of this
evidence.

1. Drawing
2. Detailed Study - observation, record, analysis, interpreting a variety of subject.
3. Mood reflected
4. Follow-up of the Fundamentals of Visual Arts (Elements and Principles)
5. Message the artist wants to convey

Innovation

The knowledge gained with the help of case study (historical importance, great artist work). How the
above has been understood in relation to the topic or the theme taken up by the student?

Technique

To foster creativity and self expression (basic understanding of colour concept and application in
relation to colour and texture of the material used by the student). Size, details, proportion required
according to the base used for the painting medium chosen according to their Art stream. Techniques
studied from folk style, contemporary art or traditional art should be used while creating a new concept.

The learners :

• Discover their potential for creativity, self-expression and visual awareness through paining.
• Feel confident with the chosen medium as a means of communicating and generating ideas.
• Develop observation, recording, manipulation and application skills.
• Experiment with a range of media and techniques.
• Relate their work to other artists work and understand the historical context of this work.
• Understand the basic principles of colour.
• Develop critical awareness.

Execution of Work

• Highlight the method of work giving a historical study of the work.
• Originality in the presentation (paintings, sketches etc.)
• Demonstrate an understanding of basic colour principles, colour mixing and representation.
• Employ a variety of traditional and experimental techniques and processes
• Use a variety of media and materials
• Observe, record, analyse, interpret a variety of subjects, including :
• the manufactured environment
• the natural environment
• the human figure
• Present evidence of personal enquiry and self expression
• Discuss and relate own work to recognized artists work
• Observe colour in other craft and design areas
• Make informed critical judgement on work in progress

Experimentation

A. Progressive Work
Candidates are required to show evidence of research carried out. It is expected that their skills will
demonstrate evidence of process and the exploration of a wide range of subjects. An accepted standard
of achievement using a range of media and material should be an integral part of the candidate's
development.

B. Skills
Sound aesthetic judgement and organizational skills should be demonstrated in the process of work
presented by a candidate.

C. Logical organization and collection of creations.

D. Critical evaluation and aesthetic judgement applied.

 

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