Get CBSE Syllabus for Class 12 Music board exam 2020. Link to access the latest sample paper of this subject is also available here.
HINDUSTANI MUSIC VOCAL (Code – 034)
Examination Structure for Assessment (2019-20) Class XII
TOTAL: 100 Marks
Theory - 30 Marks (2 Hours) and Practical - 70 Marks (25 - 30 minutes for each candidates)
CBSE Board Exam 2020: Check Sample Papers for Class 12 Hindustani Music (Melodic, Vocal, Percussion)
Distribution of Marks
| Sr. No | Value Points | Marks |
| 1. | Choice Raga (Vilambit and Drut Khayal) | 10+5=15 |
| 2. | Examiner’s Choice Ragas | 10 |
| 3. | One Tarana and one Dhamar with dugun and Chaugun | 5+5=10 |
| 4. | One Composition of Sadra or Dadra | 06 |
| 5. | Folk song | 04 |
| 6. | Identification of Ragas | 05 |
|
7. |
Reciting the Thekas of Prescribed Talas with hand beats in Thah and Dugun and Chaugun | 5+5=10 |
| 8. | Tuning of Tanpura and questions regarding | 5 |
| 9. | Practical file | 5 |
* Teachers will refer to the distribution of marks while examining the candidate for practical examination
HINDUSTANI MUSIC VOCAL (Code – 034) Course Structure (2019-20)
Class XII
TOTAL: 100 Marks
Theory -60 periods
Time: 02 hours, Marks – 30
1. Questions to be set with internal choice covering the entire syllabus unit wise
2. Candidate has to attempt at least one question from each unit.
| No. | Units | No.of Periods | Marks |
| Units 1 | 12 |
| |
| 1.1 | Brief study of the following Alankar, Varna, Kan, Meend, Khatka, Murki, Gamak. | 05 | 06 |
| 1.2 | Brief study of the following Sadra, Dadra, Gram, Murchhana, Alap, Tana. | 07 | |
| Unit 2 | 12 |
| |
| 2.1 | Study of the following Classification of Ragas- Anicent, Medieval and Modern | 06 | 06 |
| 2.2 | Historical development of time theory of Ragas | 06 | |
| Unit 3 | 12 |
| |
| 3.1 | Detail study of the following I. Sangeet Ratnakar II. Sangeet Parijat | 06 | 06 |
| 3.2 | Life sketch and Cotribution of Abdul Karim Khan, Faiyaz Khan, Bade Ghulam Ali Khan, Krishna Rao Shankar Pandit | 06 | |
| Unit 4 | 12 |
| |
| 4.1 | Description of Prescribed Talas along with Tala Notation- Thah, Dugun, Tigun and Chaugun | 07 | 06 |
| 4.2 | Study of various parts and tuning of Tanpura | 05 | |
| Unit 5 | 12 |
| |
| 5.1 | Critical study of Prescribed Ragas along with Recognizing Ragas from phrases of Swaras and elaborating them | 05 | 06 |
| 5.2 | Writing in Notation the Compositions of Prescribed Ragas. | 07 | |
HINDUSTANI MUSIC VOCAL (Code – 034)
Class XII
Practical - 160 periods, Marks – 70
| S.No | Topics | No. of periods |
| 1. | Two Vilambit Khayal with simple elaborations and few in any two of the prescribed Ragas. | 25 |
| 2. | One Drut Khyal woth simple elaboration and few tanas in the following Rgas- Bhairav, Bagesshri, Suddha Sarng and Malkauns. | 60 |
| 3. | One Tarana and one Dhamar with dugun and chaugun in any one of the oprescribed Ragas. | 15 |
| 4. | a. One composition of Sadra or Dadra b. Folk song. | 10 |
| 5. | Ability to recognize the Ragas from the Phrases of swaras rendered by the examiner. | 10 |
| 6. | Recitation of the Thekas of Jhaptala, Rupak, Tilwada and Dhamar with Dugun and Chaugun, keeping tala with hand beats. | 24 |
| 7. | Knowledge of the structure and tuning of Tanpura. | 16 |
Comments
All Comments (0)
Join the conversation